These two parameters help you create a reverb tone that fits perfectly in your mix. The Post-EQ allows you to EQ the outgoing reverb signal.
This affects the tone of the reverb effect, allowing you to emphasize or withdraw certain frequencies. Pre-EQ, for example, is designed to affect the input signal, the audio being routed into the plug-in. Some reverb plug-ins offer additional EQ processors for greater control. For these last points, mix automation is your most reliable tool. You may also want to increase send levels to indicate the transition from verse to chorus or to emphasize a single note in a riff. In a particularly groovy tune, compressing reverb tails on a guitar track can enhance the rhythmic feel. To generate clean, natural-sounding guitar reverbs, NIMBUS has three filters to control input frequency, early reflections, and reverb frequency. EQ also has a creative capacity, like making a reverb output brighter or darker to match the tone of the song. To manage the wide frequency range of guitars, subtractive EQ is essential to remove unnecessary lows and highs that will otherwise muck up the mix when amplified and spread around. I suspect many newcomers may not even realize they can treat ambiences with EQ, dynamics processors, and automation. It was through using return channels in a mixing capacity that my eyes (and ears) were opened to a myriad of musical possibilities. Since I was self-taught-like many of you-I was simply stuck in my own ways. Treat ambiences before and afterĮarly on, I never considered the option to effect reverbs and delays with further processing.
Learn to recreate these sounds with seven tips for using reverb and delay on guitars with Exponential Audio plug-ins. From reggae strokes to stadium rock epicness and blissful tape echo soundscapes, we’ve relied heavily on ambience processors to shape some of the most distinctive guitar sounds in contemporary music.
Guitar reverb? Barring distortion, few effects are as essential to mixing guitars as reverb (and delay!).
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